Posts Tagged Raging Speedhorn

Viking Skull: ‘Beer, Drugs and Bitches’

After the sonic abortion of the last blog entry, I think we ought to get back to Proper Metal as soon as fucking possible – which calls for Viking Skull. The above video was shot at the 2006 Metal Hammer Golden Gods Awards – I was there, slumped up in the gallery, hiding behind a Rob Zombie cowboy hat. A friend of mine was PR’ing the company providing the free booze to the journalists and rock stars, and I’d happily taken her up on her offer of free VIP tickets. She would later inadvertantly vocalise the thoughts of a thousand right-thinking metal fans when she remarked during Dragonforce’s performance, “This band isn’t for real, are they? They’re a joke band, right?”

In case you’re not familiar with them, The Golden Gods are Metal Hammer magazine’s annual exercise in back-slapping and gong-dishing, and so are scheduled to take place immediately after Download Festival ends, in order to maximise the number of international metal figures can be in attendance. In 2006, I’d somewhat….”overdone” it at Download, and had passed out in the middle of a field on the hottest day of the year. Resulting in second-degree burns all over my face.  I was looking more like a member of Lordi (who later picked up a Spirit of Hammer Award in recognition of their Eurovision win that year, and of whom I later help pick a member of off the floor of the Gent’s after he collapsed in the venue’s sweltering heat).

The band initially started as a joke band, made up by members of Raging Speedhorn at their roadcrew – you can spot a few of them in the video. However, the band would self-destruct in a booze-fueled punch up a mere three months after the above video was shot. Thankfully, Jess Margera, brother of Bam and drummer with CKY, a long-time fan of the band, stepped in and gave frontman Roddy Stone the kick up the arse needed to re-start the band. A few line-up changes and releases later, Viking Skull are now set to release new album, Doom, Gloom, Heartache & Whiskey, in the UK today. And a fucking fine piece of retro-tinged, bulldozer-strength riff indulgence it is too.

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Raging Speedhorn: ‘Fuck The Voodooman’

By the time you read this, I’m going to be getting battered in the mosh pit for Raging Speedhorn’s last ever London show. The wonders of pre-scheduled blog posting.

Raging Speedhorn first rose to metal prominence after Ian Camfield started playing their demos on the XFM Rock Show. Soon their rough demos turned up on Metal Hammer cover CDs, and on the bonus disc of the impossibly good (seriously – you don’t get compilations this good anymore) 21st Century Media Blitz Vol.2. As their stock started to rise, so did the size of their support slots – the band endured a bottling from the crowd at a Ministry gig to go on to bag support slots with Amen and Biohazard (who would get on so well with Speedhorn that they would produce their second album, of which ‘Fuck The Voodooman’ is taken). They were the only UK band – other than Black Sabbath – to play the last UK Ozzfest. Then suddenly they were headlining the Astoria.

It couldn’t last.

As the band’s star began to wane, things started to get tougher. Members left – Tony Loughlin (guitar) and Darren Smith (bass) left, to be replaced by ex-Defenestration members Jay and Dave Thompson. Frank Regan (one of the band’s vocalists) left shortly after the band’s third album, How The Great Have Fallen, was released, to be replaced by Bloody Kev. Viking Skull – originally a side-project joke band consisting of half of Speedhorn and a couple of their roadcrew – started to take off, shedding the Speedhorn element in their ranks as they went. A fourth Speedhorn album was to come – last year’s Before The Sea Was Built – but the writing was on the wall. It was frustrating being a fan, so Satan knows what it must’ve been like in the band itself. Eventually Raging Speedhorn announced they would be making one last tour, to fuck the shit up one last time, and then split in an explosion of fucked-up noise.

I chose this track because it sums up everything I think of when I think about Speedhorn. It’s got the classic vocalist line-up of John Loughlin and Frank Regan. It’s got the pure don’t-give-a-fuck attitude – who else but the Speedhorn would put out a single with ‘Fuck’ in the title? I remember listening to Zane Lowe struggling to announce the track name after he played it on drivetime, back in his old XFM days. The fact that it’s two minutes of sheer, face-fucking hatred, aimed squarely at their ex-manager.

There are nine shows left in the band’s final UK tour, and seven dates to follow in Japan. If you live near one, don’t miss this last chance to catch the band. The band still have a myriad of other projects on the go between them – you only have to check their various inter-linked MySpaces to see how many. Our pick of them is I’m Fashion, You’re Victim, who serve up filthy sludged-up post-hardcore racket. Go consume.

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Pulkas: ‘Loaded’

Pulkas were one of the great nearly-were bands of UK metal in the 1990s. They were one of the first metal bands I ever saw live, stepping up from support act to headliner status on One Minute Silence’s ‘All Out Of Bubblegum’ tour when the headliners had to pull out. They opened up with ‘Loaded’, and the bass damn well made it feel like they were about to shake the entire Reading Alleycat down. The second time I saw them – on a tiny, 6″ off-the-floor stage at Reading University, singer Luke Lloyd (who famously collapsed a lung during a practice section when he screamed too hard) met the eyes of anyone who dared with a look of pure, unadulterated hatred. This was a band that fucking set out to kill its audience.

However a successful future was not to be – the band split after just releasing a single album, the quite frankly fucking amazing Greed. The band put this down to “boring tedious music business bulshit.” In their all-too brief lifespan, the band won plaudits from everyone who saw them – 5K gig reviews in Kerrang!, the fourth-best album of the year according to Metal Hammer’s 1998 Best Of list, and fan-voted the Best New Band the same year in said-same magazine. They received favourable comparisons to the crushing intensity of bands like Neurosis. And they thoroughly deserved every word of praise they got.

The band – sans drummer Rob Lewis – reformed briefly under the moniker of I-AM-I, but never released anything. Bassist Jules McBride showed up in Murder One, a heavy metal supergroup of sorts, which also included members of Raging Speedhorn (which reminds me, their last ever London show is on Tuesday – it’s gonna be brutal) and Medulla Nocte. But then they also split up. Why do all the great bands go and do that?

PS: There is a video for ‘Loaded’ – but it’s shit.

PPS: If anyone knows what the members of Pulkas are up to these days, drop me a line in the Comments. I really, really want to know!

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