Posts Tagged Disturbed
There can’t be anyone who was a fan of metal in the 1990s that hasn’t seen earthtone9 dozens of times. Just off the top of my head, I can think of a fair few times I saw them:
- Supporting Pulkas at the Reading Alleycat.
- Watching them play at the horrendous Lost Weekend festival, where vocalist Karl Middleton performed wearing nothing but a pair of pants made of cling-film.
- Supporting Soulfly at the Astoria, where Karl admirably provided the Grady Avenell vocal parts of ‘Pain’ (with Glassjaw’s Daryl Palumbo for the encore.
- Outshining Disturbed (oh, I’d be ashamed if I paid for the ticket), as main support at their fist Astoria show.
- Rumbling the shit out of the Zodiac in Oxford, which is now the Carling Academy Oxford (of which their support act will be the subject of a future blog…)
- Supporting Kill II This, where Karl’s vocal warm-ups would ruin half of an interview I did with Mark Mynett for a fanzine I used to produce when I was but an idiot teenager.
- And finally calling it a day with their last-ever show at the LA2. There’s probably a whole lot more that I can’t remember right now.
Despite ruining half of an interview with smeone else, I would later corner Karl and guitarist Owen Packard in a chilly corridor of the Astoria, right before they supported Fear Factory. I remember asking them why they’d become the Support Bnd Of Choice for, everyone, and they couldn’t really give me a straight answer. Sure, they were a considerable amount more talented than the competition, but why wasn’t that talent enough to propel them into the stage where they were perennial headliners instead of the warm-up guys?
So what happened after the split? Karl Middleton turned up in The Blueprint for a while, before going on to provide vocals for Twin Zero, although he appears to have slid off the map recently. You used to see him drinking in The Purple Turtle in Reading a few years back, maybe someone should go and ask him? Owen Packard did the six-string thing for a track for uber-group This Is Menace, and now runs a PR company, handling press duties for a number of UK rock acts. But everytime I get a bit nostalgic for the late 1990’s, I’ll stick on their final full-length album, arc’tan’gent, and think about what might’ve been.