The Defiled: ‘The Resurrectionists’

The Defiled, my new favourite band

This next week is going to be a tough one – because it’s Halloween, clearly one of the Most Metal times of the year – it’s all about skulls, monsters, Satan, wearing far too much black and shouting too much. Which means I really need to out-do myself in the acts I’m gonna highlight this week. Well, considering Slayer‘s Unholy Alliance Tour is kicking off next week, with a London show on Halloween itself, I’d be well within my rights to pick one of the bands on the bill. But seeing as I launched this blog with one of those – Amon Amarth – and Slayer are almost too big to cover, so instead I thought I’d get some words in on a few acts I’ve always associated with All Hallow’s Eve.

First up are The Defiled, the best-kept heavy metal secret London has to offer. The band has been playing the toilet circuit for a few years now, supporting everyone from Dry Kill Logic and The 69 Eyes, right through to previous Heavy Metal Haiku subjects, Romeo Must Die. As well as serving up metal that’s harder than diamond drillbits, The Defiled deliver the complete package. Not only do they look like a metal band – there are far too many gangs of fat blokes in t-shirts and jeans making boring metal these days – but they’ve got the kind of live show that leaves the audience bruised, the band bloodied, and their equipment lying in pieces on the floor of the venue. The Defiled don’t do anything in half-measures.

The Defiled tearing it up at Bloodstock 2008:

The track I’ve chosen is ‘The Resurrectionists’ – while I’ve got a clutch of their older songs on a demo CD that aren’t over on their MySpace page, the quality of the recording of those tracks isn’t as good, and the band have recruited a new keyboard player and drummer since then. Actually, they’ve had a bit of a Spinal Tap-esque relationship with drummers – they’re on stickman number 10 right now. But the line-up has stabilised now, and with it so has their ferocious metal assault.

It also has the benefits of being spooky and Halloween-sounding. Track title is a slang term for grave-robbers? Check. Creepy intro involving thunder claps, screams, church bells, and a decapitation? Check? The kind of pummelling metal groove you suspect most bands would commit a Satanic human sacrifice to be able to replicate half as well? Check, check, check. The band have an EP prepped for release soon – as soon as it’s available to buy, you better believe we’ll be pointing you in the direction of where you can get yourself a copy.

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